Mockingjay (The Final Book of The Hunger Games) [Kindle Edition]

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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made it in the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who do they think should pay for that unrest? Katniss. And what's worse, President Snow has managed to get clear that no person else remains safe and secure either. Not Katniss's family, not her friends, not the folks of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises being one with the most discussed books of the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said from the start that The Hunger Games story was intended as a trilogy. Did it genuinely end just how you planned it in the beginning?

A: Very much so. While I didn't know every detail, of course, the arc of the story from gladiator game, to revolution, to war, towards the eventual outcome remained constant throughout the writing process.

Q: We understand you worked on the initial screenplay to get a film being according to The Hunger Games. What could be the biggest distinction between writing a novel and writing a screenplay?

A: There was several significant differences. Time, for starters. If you are adapting a novel in to a two-hour movie you can not take everything with you. The story has to get condensed to fit the modern form. Then there is the question of how best to look at the sunday paper told in the first person and provides tense and transform it right into a satisfying dramatic experience. In the novel, you won't ever leave Katniss for a second and so are privy to all of her thoughts so you will need a way to dramatize her inner world and to make it easy for other characters to exist outside her company. Finally, there's the challenge of how to present the violence while still maintaining a PG-13 rating in order that your core audience can view it. A great deal of things are acceptable on the page that wouldn't be on the screen. So how certain moments are depicted could eventually be inside director's hands.

Q: Have you been capable of consider future projects while working on The Hunger Games, or are you immersed inside world you happen to be currently creating so fully which it is too difficult to consider new ideas?

A: We have a number of seeds of ideas going swimming inside my head but--given a good deal of of my focus is still on The Hunger Games--it is going to be awhile before one fully emerges i can begin to develop it.

Q: The Hunger Games is an annual televised event through which one boy then one girl from each with the twelve districts is expected to participate inside a fight-to-the-death on live TV. Exactly what do you think the appeal of reality television is--to both kids and adults?

A: Well, they're often setup as games and, like sporting events, there's an fascination with seeing who wins. The contestants are usually unknown, which makes them relatable. Sometimes they've very talented people performing. Then you have the voyeuristic thrill—watching people being humiliated, or delivered to tears, or suffering physically--which I have found very disturbing. There's also the potential for desensitizing the audience, so that once they see real tragedy playing out on, say, the news, it won't contain the impact it should.

Q: In the big event you were expected to compete inside the Hunger Games, what do you think your personal skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I had been trained in sword-fighting, I guess my best hope would be to have hold of the rapier if there is one available. But the truth is I'd probably get in relation to its a four in Training.

Q: What does one hope readers will come away with once they read The Hunger Games trilogy?

A: Questions about how elements from the books could possibly be relevant within their own lives. And, if they are disturbing, whatever they might do about them.

Q: What were some of the favorite novels when you're a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord from the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss in a more Hunger Game, but this time around it really is for world control. While it is often a clever twist about the original plot, it indicates that there's less focus on the individual characters and much more on political intrigue and large scale destruction. That said, Carolyn McCormick will continue to breathe life into a less vibrant Katniss by displaying despair both at those she feels responsible for killing and possibly at her very own motives and choices. This is surely an older, wiser, sadder, and very reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn from the rebels as well as the victim of President Snow, who uses Peeta to try to control Katniss. Peeta's struggles are very evidenced in his voice, which goes from rage to puzzlement for an unsure come back to sweetness. McCormick also makes the secondary characters—some malevolent, others benevolent, and lots of confused—very real with distinct voices and agendas/concerns. She acts just like an outside chronicler in giving listeners just “the facts” but in addition respects the individuality and different challenges of each one from the main characters. A successful completion of a monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.